İri, M. I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION. 2022. In Cinema and Gender, Different examples of Turkish Cinema , Eğitim Kitabevi, İstanbul, 31-41.

İri, M., (2022). I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION. Cinema and Gender, Different examples of Turkish Cinema (pp.31-41), İstanbul: Eğitim Kitabevi.

İri, Murat. "I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION." In Cinema and Gender, Different examples of Turkish Cinema , 31-41. İstanbul: Eğitim Kitabevi, 2022

İri, Murat. "I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION." Cinema and Gender, Different examples of Turkish Cinema , Eğitim Kitabevi, 2022, pp.31-41.

İri, M. (2022) "I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION", Cinema and Gender, Different examples of Turkish Cinema . İstanbul: Eğitim Kitabevi.

@bookchapter{bookchapter, author ={Murat İRİ}, chaptertitle={I named her Kezban: THE WOMAN IN THE FILM ‘KEZBAN IN PARIS’ AS REPRESENTATIVE OF THE CONTRADICTORY NATURE OF TURKISH MODERNIZATION}, booktitle={ Cinema and Gender, Different examples of Turkish Cinema}, publisher={Eğitim Kitabevi}, city={İstanbul},year={2022} }