Akademik Veri Yönetim Sistemi
Zea Books, University Of Nebraska-Lincoln, Nebraska, 2016
At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by three modern novels — in French, English, and Italian — to emerge as a central, strong, self-determining, and erotically liberated female icon. Her character “is permeated with new and more complex representations of feminine diversity that, by subverting the roles attested by the canon, break with stereotypes and pursue autonomy.” Part one of this book covers “Feminist Literary Criticism and the Theme of Penelope”; part two considers “Penelope in Three (Feminist) Revisionist Novels” – by Annie Leclerc, Margaret Atwood and Silvana La Spina. These feminist revisions of myths of womanhood and rewritings of female archetypes from a feminist perspective broaden the definition of femininity to include new possibilities and more inclusive representations of female identity.